It took just 28 years for the sequel to a movie for many reasons over the years has become a cult.
pioneer of computer graphics the first 82 TRON is one of those timeless masterpieces. Disney had churned out a film whose plot was very simple stuffed with a strong Christological symbolism and made visual virtues of its limitations: after 10 minutes in the world of TRON the feeling of estrangement disappeared and everything seemed perfectly consistent, but no less surprising .
expectations for this ultra-late below were therefore very high and of course largely disappointed. Obviously it is now impossible for Disney to make a film without intamarrirlo nauseum. The papers in the following worthy of its predecessor were all on paper: the director, Joseph Kosinski, is his first work, but with considerable background, the music of Daft Punk nientepopodimenoche and the cast is 82.
The technical side of film works great, the world of TRON shines a light its dark, everything is super cool in this contrast of black and red stripes and blue (the first was more visionary and imaginative, but this is so coool that one forgives the fall of visions). Interestingly, it has been decided to take every element of the first film: the suits, tanks, motorcycles, reconnaissance, transport ships, warships and make us see with the graphics of today, almost a tacit admission that as we had seen nel'82 were a draft, but what really had in mind is that we can only see today. And this is a mistake, because the strength of the TRON 82 was just to make everything as it was consistent: he would have done more for this new film, rather than a result often looks like a remake or a pure service fan-service. But this
servizietto ends where the film breaks ties with his predecessor, or in all other respects. The plot is dull, devoid of symbolism the first, uninvolving, the final discounted, Pleasing to the case of current issues (open source software, genetics, etc.), sometimes nonsensical (but in the end 'ste ISO? Who am I? What are they for? We have to put up with yet another trilogy to understand something). The very normal characters (the father of genius, the abandoned son and rebellious, the slimy traitor, etc.). The film with painstaking precision goes to ruin the beautiful action scenes with characters sad, banal and tamarri until his death. Boredom often takes over some dead spots (the arrival of my son's house / monastery's father) and in short, everything reeks of commercial operation forerunner to the nth exhausting saga. The music of Daft Punk disappoint a lot because the French duo were expected to come out something outside the usual accompaniment of mechanical / meatloaf Hollywood, giving only a couple of pieces of electronic palpitations (even epic): For the rest we find the same tune repeated in a thousand sauces (light-years in low compared to what he has done another master of electronics such as Trent Reznor for another blockbuster of the season: "The Social Network" by David Fincher). If
TRON: Legacy had shown "forward" as it was his first time at this time we would be a miracle, just the fact that technology today allows you to create worlds so beautiful as those of TRON: Legacy, but also much more consistent and "large" (See "Avatar"). And to make matters worse TRON: Legacy is a mediocre film, even if taken in its own right, regardless of its predecessor. If
then season with the implementation to the case and absolutely not exploited and do not need the 3D we get a wonderful toy, as beautiful as unnecessary and disappointing.
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